Rock, Mineral, and Fossil Education
Thousands of minerals exist, but only a few dozen are commonly cut as gemstones. The difference is not chemistry. A gemstone is any material that people choose to cut and wear because it combines beauty with enough durability to survive daily use, and is uncommon enough to feel special. This article looks at each of those qualities and why a stunning mineral specimen can still be a poor gem.
The first thing anyone notices in a gem is how it handles light. Several optical properties contribute:
Some gems are prized for special optical effects: the shifting play of color in opal, the cat’s-eye line in chrysoberyl, or the six-rayed star in star sapphire, which is caused by aligned needle-like inclusions.
A gem has to survive being worn, bumped, and cleaned. Gemologists break durability into three parts:
This is why calcite, fluorite, and many other beautiful minerals stay in display cases rather than jewelry. The hardness test in Reading a Rock explains the Mohs scale in more detail.
Rarity plays a part in which materials are valued. Fine emerald, ruby, and certain colors of sapphire are scarce in large, clean pieces, while quartz is abundant. Demand also matters. Tanzanite, a blue variety of zoisite found commercially in only one small area of Tanzania, became widely known only after the 1960s.
You will often hear stones divided into “precious” (diamond, ruby, sapphire, emerald) and “semi-precious” (everything else). This is a historical trade convention with no scientific basis, and many gemological organizations discourage it, because some so-called semi-precious stones are rarer than some precious ones.
Gemologists classify gems by species, the underlying mineral, and variety, a named color or type within that species. A few examples:
Knowing the species tells you what to expect in terms of hardness and care, regardless of the trade name a stone is sold under.
Most gem material looks unremarkable in the rough. Cutting is what reveals its potential. Faceting adds flat, angled surfaces that reflect light back through the top of the stone, while cabochon cutting produces a smooth, domed surface that suits opaque stones and optical effects such as stars and cat’s-eyes. A gem’s appearance therefore depends as much on the cutter’s skill as on the material itself.
This article explains how gemstones are defined. It is not a guide to value. Grading and valuing a gem requires laboratory testing and professional judgment, and Steiner Collectables does not appraise, grade, or authenticate stones. If you need to know whether a stone is natural or what it is worth, a qualified gemologist or an accredited gem laboratory is the right resource. For the difference between natural, lab-made, and imitation stones, see Natural, Synthetic, and Simulated Gemstones.
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